The Rental (2020)
“I want it now.” The Rental, while fairly basic in plot but sporting a surprisingly sinister tone, seems to be part of the ever evolving home invasion horror genre. We’ve […]
Tag Archives: Movies
The Old Guard (2020)
“We fight for what we think is right.” One of Netflix’s strongest original films so far this year and one of the very few overall which actually demands a proper […]
Greyhound (2020)
“This is what we trained for.” Greyhound is an almost refreshingly simple at home movie experience, heralding the long forgotten everyman and championing cinema’s most fundamental storytelling techniques throughout its […]
Desperados (2020)
“Get your life together.” By the time we finally arrive at the end of Netflix’s Desperados, an almost laudably lazy addition to the romantic comedy genre, the film’s desperate protagonist […]
Palm Springs (2020)
“It’s one of those infinite time loop situations you might’ve heard about.” I have to be candid and admit that I simply do not understand the praise being lopped onto […]
Irresistible (2020)
“I look forward to lying to you in the future.” Just like the Washington D.C. outsiders infiltrating and pillaging the grassroots of real rural America, Irresistible comes across as a tone […]
Artemis Fowl (2020)
“Get the four leaf clover out of here.” Maddening, gaudy, and downright confusing from the awkward start to the clumsy finish, Artemis Fowl seems to have been a failed endeavor […]
Eurovision Song Contest: The Story of Fire Saga (2020)
“We know they’re awful, but they’re our awful.” It simply makes sense that the long and often hilarious Eurovision Song Contest: The Story of Fire Saga not only embodies its […]
7500 (2020)
“Nice airplane. Two wings, two engines.” There’s an immediacy to the filmmaking on display throughout 7500 which makes up for the fractured picture’s intentionally muted storytelling, at least long enough […]
My Spy (2020)
“This is your last shot.” It should come as no surprise that My Spy is the hokey, ham-fisted, and dated picture the material presents itself as from the outside. But […]
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