The Kissing Booth 2 (2020)
“Last year’s gonna be hard to top.” More in common with a lengthy stint in detention than it ever has with a young love romantic comedy, The Kissing Booth 2 […]
Relic (2020)
“We’ve been keeping our distance a bit.” Predictable in where it starts and promising with where it might go, Relic is modern horror steeped in the old ways of dramas […]
The Rental (2020)
“I want it now.” The Rental, while fairly basic in plot but sporting a surprisingly sinister tone, seems to be part of the ever evolving home invasion horror genre. We’ve […]
The Old Guard (2020)
“We fight for what we think is right.” One of Netflix’s strongest original films so far this year and one of the very few overall which actually demands a proper […]
Babyteeth (2020)
“You look like a different person.” The multitudes of love and loss, of the here and the now, of the enviable past and the undeniable future are laid out for […]
Greyhound (2020)
“This is what we trained for.” Greyhound is an almost refreshingly simple at home movie experience, heralding the long forgotten everyman and championing cinema’s most fundamental storytelling techniques throughout its […]
Desperados (2020)
“Get your life together.” By the time we finally arrive at the end of Netflix’s Desperados, an almost laudably lazy addition to the romantic comedy genre, the film’s desperate protagonist […]
Palm Springs (2020)
“It’s one of those infinite time loop situations you might’ve heard about.” I have to be candid and admit that I simply do not understand the praise being lopped onto […]
Irresistible (2020)
“I look forward to lying to you in the future.” Just like the Washington D.C. outsiders infiltrating and pillaging the grassroots of real rural America, Irresistible comes across as a tone […]
Artemis Fowl (2020)
“Get the four leaf clover out of here.” Maddening, gaudy, and downright confusing from the awkward start to the clumsy finish, Artemis Fowl seems to have been a failed endeavor […]
