I Feel Pretty (2018)
“I’ve always wondered what it feels like to be undeniably pretty.” There’s been much backlash behind I Feel Pretty, and I have no doubt in my mind that the unconscious and thoughtless remarks […]
Isle of Dogs (2018)
“Whatever happened to man’s best friend?” The well from which Wes Anderson’s films are derived never go dry or run short on the same predictable sense of sardonic, caustic humor. […]
Andre the Giant (2018)
“A man who’s living in a world that’s not made for him.” There’s something to be said for the moniker by which we all recall the appropriately billed “8th Wonder […]
Gemini (2018)
“You’re the one who remembers things.” Unknowingly retailing itself as a cheap alternative and derivative take on the classic noir genre, Gemini has all of the right looks and hardly any of […]
Rampage (2018)
“Prepare to engage.” Like an empty-headed romp of 90’s era ridiculousness decked out by modern day’s supreme CGI graphics, Rampage is both a lavish and contemporary throwback to a time where logic […]
The Miracle Season (2018)
“There’s no end to the ifs.” The nuanced language of real life is extremely tough to translate into a good film, and despite its best and most adamant intentions, The Miracle […]
Blockers (2018)
“Who you are today is not who you’re going to be.” With each increasingly gross gag from three desperate parents banding together to stop their daughters’ prom night sex pact […]
A Quiet Place (2018)
“Who are we if we can’t protect them?” I normally try to avoid opening night for blockbusters / horror films because the unpredictable crowds always scare me. Walking into A Quiet […]
Pacific Rim: Uprising (2018)
“Why would I do this?” Sitting through Pacific Rim: Uprising is pretty comparable to watching friends play video games for two hours. There’s plenty of action, lots of explosions and gunfire, hoorah […]
Ready Player One (2018)
“I never felt at home in the real world.” Like an 80’s child chomping on countless pieces of Fruit-Stripe flavored gum during a great daydream, Ready Player One is a film studies […]
