The Lovebirds (2020)
“It’s all kissy and huggy now but it all comes crashing down.” It makes so much sense that The Lovebirds – a clunky, occasionally charismatic and romantic crime comedy – found […]
Scoob! (2020)
“The gang’s finally back together.” Desperate to be current and hip whilst also honoring its old, animated inspiration, Scoob! lands with the kind of heavy thud felt after hearing a […]
The Wrong Missy (2020)
“Sorry about the mix-up.” Starting out with a blind first date from hell and eventually graduating to a place made up of forged signatures and faked accolades, The Wrong Missy […]
Bad Education (2020)
“It’s only a puff piece if you let it be a puff piece.” Bad Education has a lot to grapple with. A lot of multiple choice questions. On one hand, […]
The Half of It (2020)
“Love is being willing to ruin your good painting for a chance at a great one.” With creativity to spare and an uncanny knack for spinning old yarn into something […]
Extraction (2020)
“More like a thing than a person.” Perhaps unintentionally, Extraction succeeds as the epitome and the progeny of a first person video game brought to life, even more so than most […]
The Willoughbys (2020)
“Change is hard.” I couldn’t help but feel tired and bored by the chaotic, noisy nature of The Willoughbys, a stunningly animated film hamstrung by a one-note script. The movie […]
Never Rarely Sometimes Always (2020)
“A positive is always a positive.” One of 2020’s best opening sequences – and in this case statements – comes from the little gem Never Rarely Sometimes Always, a stirring and occasionally […]
Tigertail (2020)
“Eventually your life together is what you’ll have in common.” There’s a soft, strategic, stumbling beauty about Tigertail. It’s a movie with a melancholic musicality and it’s methodical in its […]
Love Wedding Repeat (2020)
“I guess we just missed our moment.” Where the the hell do I start? I’d naturally say at the beginning, but Love Wedding Repeat doesn’t really have a proper open, […]
