My Spy (2020)
“This is your last shot.” It should come as no surprise that My Spy is the hokey, ham-fisted, and dated picture the material presents itself as from the outside. But […]
Tag Archives: Film
You Should Have Left (2020)
“I just had a really bad dream.” As is the case for most middling movies, there’s as much to like about You Should Have Left as there is to wag […]
The King of Staten Island (2020)
“Your work is mad inconsistent.” More a string of half-baked, high-as-a-kite SNL sketches cut for time than it ever is a cohesive, insightful depiction of grief cloaked by the theatrics […]
Spaceship Earth (2020)
“We were making it up as we went.” Having only been a 1-year-old during the course of this uninspired, unfocused documentary’s events, there was no nostalgia factor for me heading […]
The High Note (2020)
“Do not sell yourself short.” Like a greatest hits collection from the vast majority of past their prime artists, The High Note doesn’t bring anything new to the table. That’s […]
The Lovebirds (2020)
“It’s all kissy and huggy now but it all comes crashing down.” It makes so much sense that The Lovebirds – a clunky, occasionally charismatic and romantic crime comedy – found […]
Scoob! (2020)
“The gang’s finally back together.” Desperate to be current and hip whilst also honoring its old, animated inspiration, Scoob! lands with the kind of heavy thud felt after hearing a […]
The Wrong Missy (2020)
“Sorry about the mix-up.” Starting out with a blind first date from hell and eventually graduating to a place made up of forged signatures and faked accolades, The Wrong Missy […]
Bad Education (2020)
“It’s only a puff piece if you let it be a puff piece.” Bad Education has a lot to grapple with. A lot of multiple choice questions. On one hand, […]
The Half of It (2020)
“Love is being willing to ruin your good painting for a chance at a great one.” With creativity to spare and an uncanny knack for spinning old yarn into something […]
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