The Vast of Night (2020)
“Stick with our station and get lost in our sounds.” Deeply inspired by the past while being privy to futuristic predictions, The Vast of Night is the kind of low-budget, micromanaged, […]
You Should Have Left (2020)
“I just had a really bad dream.” As is the case for most middling movies, there’s as much to like about You Should Have Left as there is to wag […]
The King of Staten Island (2020)
“Your work is mad inconsistent.” More a string of half-baked, high-as-a-kite SNL sketches cut for time than it ever is a cohesive, insightful depiction of grief cloaked by the theatrics […]
Spaceship Earth (2020)
“We were making it up as we went.” Having only been a 1-year-old during the course of this uninspired, unfocused documentary’s events, there was no nostalgia factor for me heading […]
The High Note (2020)
“Do not sell yourself short.” Like a greatest hits collection from the vast majority of past their prime artists, The High Note doesn’t bring anything new to the table. That’s […]
The Lovebirds (2020)
“It’s all kissy and huggy now but it all comes crashing down.” It makes so much sense that The Lovebirds – a clunky, occasionally charismatic and romantic crime comedy – found […]
Scoob! (2020)
“The gang’s finally back together.” Desperate to be current and hip whilst also honoring its old, animated inspiration, Scoob! lands with the kind of heavy thud felt after hearing a […]
The Wrong Missy (2020)
“Sorry about the mix-up.” Starting out with a blind first date from hell and eventually graduating to a place made up of forged signatures and faked accolades, The Wrong Missy […]
Bad Education (2020)
“It’s only a puff piece if you let it be a puff piece.” Bad Education has a lot to grapple with. A lot of multiple choice questions. On one hand, […]
The Half of It (2020)
“Love is being willing to ruin your good painting for a chance at a great one.” With creativity to spare and an uncanny knack for spinning old yarn into something […]
Log's Line 