Chemical Hearts (2020)
“Being young is so painful.” Heavy on heartache and a proud bearer of truthful growing pains, Chemical Hearts is yet another entry in the long line of High School Senior […]
Boys State (2020)
“Who we elect matters. How we elect matters.” My biggest takeaway from Boys State – an expertly envisioned and crafted documentary covering an annual assembly of aspiring politicians – can be […]
The Tax Collector (2020)
“I heard you’re the Devil.” Bringing the same level of self-seriousness and false intimidation as a wannabe gangster sporting a nylon sleeve and a temporary tear drop tattoo to a […]
The Lost Husband (2020)
“It’s hard to lose your person and your whole life in a year.” There’s something so oddly comforting and relaxing about just how small and run of the mill The […]
Work It (2020)
“What kind of dance do you do?” There’s something so obviously missing in Work It, and that is a moment which stands out. Comedies need repeatable jokes, dramas need memorable gut […]
Summerland (2020)
“I know you won’t be here long, but while you are, it’s yours.” Summerland brings all of the hallmark twee and whimsy you expect from an indie picture set in […]
The Kissing Booth 2 (2020)
“Last year’s gonna be hard to top.” More in common with a lengthy stint in detention than it ever has with a young love romantic comedy, The Kissing Booth 2 […]
Relic (2020)
“We’ve been keeping our distance a bit.” Predictable in where it starts and promising with where it might go, Relic is modern horror steeped in the old ways of dramas […]
The Rental (2020)
“I want it now.” The Rental, while fairly basic in plot but sporting a surprisingly sinister tone, seems to be part of the ever evolving home invasion horror genre. We’ve […]
The Old Guard (2020)
“We fight for what we think is right.” One of Netflix’s strongest original films so far this year and one of the very few overall which actually demands a proper […]
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