The Mule (2018)
“I’ve never been a plan B kind of guy.” The Mule owns a peculiar, engrossing true story buried somewhere in its great wealth of cinematic nothingness. Somewhere inside there’s an honest depiction […]
Tag Archives: Thriller
Widows (2018)
“I don’t own anything.” Widows cleverly uses the spirit of the legendary Nina Simone, imparting her collected calm and jazzy timbre from “Wild is the Wind” into a picture that pairs […]
Robin Hood (2018)
“It takes a thief to catch a thief.” Robin Hood begins by suggesting we forget everything we assume to know about the legendary figure, only to then rehash and re-frame […]
The Girl in the Spider’s Web (2018)
“I realized too late that I committed an abomination.” From the opening title sequence that oozes with James Bond’s spy sensibilities, it’s quite clear The Girl in the Spider’s Web wants to […]
Madeline’s Madeline (2018)
“What are we making?” Experimental, emotionally overwhelming, and appropriately dressed in shades of ambiguity, Madeline’s Madeline is an obscure and enigmatic film that’s comfortable in the many skins it so easily […]
Hunter Killer (2018)
“We don’t really know what’s going on up top.” Hunter Killer is like a thinly sketched, unthreatening version of the three-headed Greek monster Cerberus. It’s a beast that barks plenty […]
Halloween (2018)
“He’s waited for me. I waited for him.” Released almost exactly 40 years after John Carpenter’s iconic original – and after ditching all of the loose consequences and false avenues […]
I Know What You Did Last Summer (1997)
“We made a pact and we’re going to keep it.” I Know What You Did Last Summer pulls off a feat very few genre pictures have proven to be capable […]
Bad Times at the El Royale (2018)
“Which side are you on?” Some movies are short but linger like zombies who just won’t quit. Others feel long because the road they travel is far too ambitious and […]
Peppermint (2018)
“Nothing’s gonna bring your family back.” Within the first 10 seconds of Peppermint, as the camera hovers over a shaking car and eventually cuts to the inside with two people fighting […]
