Love, Antosha (2019)
“Anton was like a sponge.” For those familiar with the truly astonishing work of the late Anton Yelchin, it should come as no surprise that – from a hopeful hello, […]
“Anton was like a sponge.” For those familiar with the truly astonishing work of the late Anton Yelchin, it should come as no surprise that – from a hopeful hello, […]
“A cure is right around the corner.” Not since Andrew Niccol’s superb 1997 thriller Gattaca have I seen a sci-fi film that suspends belief as immediately and effectively as Equals. Monochromatic, antiseptic, […]