Wildlife (2018)
“Every time we’ve moved it’s gotten colder.” It was so easy to get bored by Sam Mendes’ 2008 film Revolutionary Road – a showcase for brilliant performers in a stodgy adaptation – […]
Category Archives: Drama
Creed II (2018)
“It’s just another fight.” Best described as the repetitive, unoriginal, blood sport birth child of 2015’s Creed and 1985’s Rocky IV, Creed II forever fuses two separate franchises together into one combative entity, like a dying […]
Instant Family (2018)
“It’s important to have a sense of humor about this kind of thing.” Maybe it’s because the world around us seems to be drowning in cynicism. Maybe I’m just a […]
Boy Erased (2018)
“Our family is so normal.” The film has great performances, sheds light on the shocking longevity of its true life story, and it pleads with us to accept change. Boy Erased […]
Green Book (2018)
“It takes courage to change people’s hearts.” Here’s the thing: for all of the troubling subtext and the endless pandering of this picture, Green Book means well and, for the most […]
Dumplin’ (2018)
“It’s hard being a diamond in a rhinestone world.” I can acknowledge that Dumplin’ isn’t a great movie; it’s far too long, so much of the script is on the nose, and the […]
Widows (2018)
“I don’t own anything.” Widows cleverly uses the spirit of the legendary Nina Simone, imparting her collected calm and jazzy timbre from “Wild is the Wind” into a picture that pairs […]
The Front Runner (2018)
“Ideas have power.” Covering the swift hero-to-zero demise of the all but once guaranteed Democratic Presidential nominee Gary Hart during his 1988 campaign, The Front Runner wastes no time in sending this […]
The Ballad of Buster Scruggs (2018)
“The nervous system extends through the body.” Faith, futility, and fatalism all converge in the wanton Western that is The Ballad of Buster Scruggs, the latest masterwork from the Coen Brothers […]
The Old Man & the Gun (2018)
“He was sort of a gentleman.” Clocking in with a run-time just over 90 minutes long, The Old Man & the Gun is both charming and surprisingly languid, going nowhere and […]
